Lynette Noni’s darker adventure fantasy, The Prison Healer, will bring vibes of other popular fantasy, from Incarceron to The Hunger Games. Kiva Meridian has been living inside the prison of Zalindov for the past 10 years, using the teachings of her father to guide her as the prison’s primary doctor or healer. Kiva’s past comes to the reader in waves, while the plot rolls along quite rapidly over the course of fall season. Kiva also has the job to give new inmates the mark of the prison, as she cuts a “Z” into the top of an inmate’s hand upon arrival. The physical scarring doubles as mental scarring for Kiva as she believes she is wrongfully imprisoned. Yet she does want to do her job, one of the best ones to have in the prison, to the best of her abilities, including protecting the most important patient, the Rebel Queen. Kiva will be tested in her abilities to navigate a budding romance, maneuver political turmoil, and survive deadly “ordeals”. Two of the three she passes with flying colors as a pro-fem protagonist. This reader wishes Kiva discovered her own superpowers to survive the “ordeals” rather than relying on those of others. Still, the quick pacing of the plot and dialogue, with many twists and turns, will keep any fantasy reader entertained, even if they skim a few pages here and there. Complete with a cliffhanger that came at the last minute, The Prison Healer is worth adding to school library shelves grades 7 and up.

As a sequel to Give the Dark my Love, Revis didn’t grasp this reader’s attention as much as with the first book. It focused on the politics of the story and less on character development. It was a slower read as the character’s ideas were repetitive. The romance of the entire story didn’t sit well because of what felt like a forced coupling. Characters who had different goals and beliefs were put together leaving this reader thinking it would never work out. Only the last part of the book was worth the time to read as there is an unexpected twist.

For the past 16 years, Hazel has been living with a small radius of her house that includes her school, a few stores, a mini-golf course, and one restaurant. Her town is not small, but if she goes outside of this radius, the universe literally begins to freak out. When she was born, a rift, or a tear into the universe, was formed. The rift acts up now and again spitting out things from other dimensions — trees, furniture, and not known to Hazel, other Hazels. The government had set up barns on their property to monitor the rift and government agents had become Hazel’s friends as they had to track her every move. But her 16th birthday is the flashpoint. The rift begins its meltdown on a whole new level. Hazel will meet her versions from other dimensions and will slowly learn her destiny in the process of saving her world from being entirely sucked into the rift. Corrine Duyvis’ incorporation of current coming of age issues into an out-of-this-world experience feels surprisingly authentic. Teens will appreciate Hazel’s struggle to be her true self, even if it is something she learns through the eyes of her other selves.

Four accomplices, like the four letters of the title Meme, each will question the motives of the others after a wickedly committed murder, a murder they believe has gone viral. It is the fall of their senior year. Cole and Meeka’s relationship has gone south, with Meeka feeling that Cole may cause her physical harm. Cole has had a very rough life and is smarter with computers than with people. Holly, Grayson, and Logan felt there was only one way to protect Meeka. A single picture is taken at the murder site that would connect all of them if one were to confess. It was taken as a sort of security blanket, then all phones were destroyed and left with the buried body. Except the picture began to circulate as a meme shortly after the killing. Who else has the picture? Does that person know what happened that night? Could Cole still be alive? All have a point of view to share as narrators of alternating chapters as the story unwinds. Yet Meeka’s is that last voice. While Aaron Starmer’s title is trite, the writing is pretty good and fans of Gretchen McNeil will enjoy this suspenseful tale.

Aaron and Tillie stand on the George Washington Bridge expecting to end their lives.  Aaron and Tillie don’t know each other but they’ve come to the same conclusion that suicide is the only viable option for each.  What happens in Aaron jumps and Tillie doesn’t.  Or vice versa?  Or if they both jump?  Or if neither do? Bill Konigsberg’s genius is in his character development, and the story-telling technique of four possible plotlines allows for finite details of Aaron and Tillie’s personalities to emerge. They are genuine, they are real, they have issues, they have choices. Readers are led to consider how “life” is impacted by the choices we make. Bill Konigsberg develops an authentic description of what depression might feel like and he doesn’t glamourize suicide. It is questionable whether or not readers will find the fourth story to be repetitive but overall this unique take on a serious topic will keep readers intrigued.

The Kingdom of Back is a historical retelling of Wolfgang Amadeus Mozart’s real-life older sister, Nannerl Mozart, with heavy threads of fantasy. The story follows the young lives of the siblings growing up in a family whose future depends on the recognition of their family talent by the nobility.

Nannerl is at first the gem of the musical Mozart family until the genius other brother seeps out to steal the focus. It seems her talent cannot compete with his innate gift. As she feels more diminished, she turns to the fantasy world they had created. The prince of the Kingdom of Back becomes her focus as she drifts between the realness of the two worlds trying to find her place.

The story unveils itself easily as it follows Nannerl through to adulthood. The symbols and analogies presented in the Kingdom of Back creatively convey the emotion and thought processes of a young adult girl trying to find her way in a world with a domineering father and a child prodigy younger brother. A shift from her adventure-focused fantasy writing, Lu presents the story of a person coming to grips with her future by finding a way to deal with it.

Students see TEDTalks much like they view a teacher – sharing information to teach. But TEDTalks are the public speaking events of today that can reach massively more ears and eyes. Anderson and Oberweger smartly build this guide to public speaking by analyzing what goes into a great TEDTalk — starting with the premise that there is no one way to give a great talk. The best talks are “fresh” and innovative rather than stale. Instead one must “breathe, play, and practice, practice, practice”.

First there’s the foundation – what is the throughline, the connecting theme that ties the ideas together? This touchstone needs to be what holds the speech together, even if a diverse number of ideas are presented. One also needs to consider the audience – who is that one person that needs to acknowledged, accepted, invited via the speech — and consider the topic — is it a topic that you can handle well and your audience can digest.

Second there are tools – think of structures here – what is the journey, the story, or the truth to be told. Compare this to the foundation. More than likely they are naturally interconnected. If not, why not. And will that still work? It might.

Third, it’s time to prepare — whether scripted or unscripted, one needs to practice. Period. Lots of reasons why are discussed – from technology glitches to physical itches. Practice, practice, practice.

This is a nice, relevant addition to any school or public library.

From the Science Adventurers series comes Animal Conservationists, a look at six different facets in protecting different animal species of life. Chapter 1 begins with a hook — the work around saving something that creeps many people out– bats! After a end chapter covering the history of animal conservation, the author begins to drill down into the realities of the task. First, is the reclaiming/protection of habit, because if the habitat is not hospitable, the animals will die. Second is the issues around breeding and how humans help in this realm. A special chapter is reserved for breeding in water as well. Then time is given for the process of bringing a creature back to or introducing it to its native habitat, called “reintroduction”. The technology employed by conservationists as well as the human actions to help fight off predators help round out the text until a final chapter of “the future” is warranted. Abdo does such a nice job with its series topic choices, layout of text and sidebars, as well physical print/binding quality. The sidebars of this text in particular were very intriguing, leading this reader to wander there often before focusing on the main content as pages were turned. This will be a worthwhile addition to the 500’s in any school library.

This is a text that could easily be incorporated into middle school or high school classroom curriculum. This is a text that could be adapted for a school theater program. This is a text that will stick with you for awhile. Kent State, by Deborah Wiles, is the telling of the four days of protesting from May 1st – 4th on the campus of the university. Various voices share their chronological recollection building up to the deadly shootings by Ohio National Guard troops. But it is the positioning of the text on the page that makes this worthy of its multiple starred reviews. The voices come to the reader in snippets of text, much like a discussion, and are arranged based on likely political affiliation. Student protester voices more left justified, to National Guard troops right justified on the page. There are other voices of citizens caught in the middle that are situated on the page somewhere between the two based on their content. The anger, the frustration, the anxiety, the outrage, the disbelief –it can all be captured by the use of these various voices. The book jacket says, this text show the “human truth” in this tragedy. This text should be in every middle and high school library for its lessons in history, in the craft of writing, and in the depiction of humans reacting crisis.

Co-authors Kass Morgan and Danielle Paige alternate chapter by chapter the star roles of Scarlett and Vivi, a senior and freshman respectively at Westerly College. Scarlett is aiming to become her sorority’s president while Vivi doesn’t even think the sorority life is her thing. But Vivi is destined to become a Raven, the nickname for the Kappa Rho Nu sisters. The Ravens are witches, each specializing in one of four powers, but bound in sisterhood, they can also draw upon the other powers. And sisterhood is the most important part of being in this sorority — above all else. Vivi arrives on campus, against her mother’s pleas, and is drawn to attend a party at the Kappa house. Vivi and Scarlett clash immediately. The current president assigns Scarlett as Vivi’s magic mentor, setting up internal struggles for both girls. But a previous mistake by Scarlett will bring evil magic to Westerly and all Ravens will need to work together to fight it off. This is the beginning of a series, though it reads like a stand-alone. Those readers who like the motif of sisterhood above all else or who are fans of magical tales with spooky spells, ancient myths and tense scenes will probably enjoy this tale.