Rhyming text imagines the dialogue between mother bird and the last chick, reluctant to leave the next. The illustrations are soft and have a certain vintage look to them. They capture a variety of perspectives as the young bird ponders the vastness of the sky and the distance to the ground in comparison to the coziness of the nest. It takes a bit of coaxing and convincing and bribing on the part of mother bird, while baby bird stalls and voices his fears, but in the end he does indeed say goodbye to the nest and hello to the sky as he’s on his way to everywhere. The story offers young readers an analogy to which they can relate whatever fears they’ve faced or overcome, and the tone of encouragement is easily transferable to human growth.
Author Archives: Courtney Morgan
There’s Always Room for One More
On the surface it’s the story of a family purchasing and preparing a larger dining table in preparation of having their grandfather move in and enlarge the family, while the youngest member of the family has a hard time giving up the comfort of the familiar table. Neighbors and extended family help get things ready, and are invited to join in the welcome dinner, until quite a party is built around the new table, full of love all around. What makes it so relatable for students is the way the sentiments of uncertainty in the face of change can be extended to so many aspects of life that bring change, and often leave young ones reluctant to let go of the familiar in order to embrace the new.
Remembering
This is a beautiful and touching book. The text is simple, and yet poetical, with only a single sentence or phrase per page, and the illustrations are bright and rich and full of details that make them relatable as they bring the text to life. It shows a family grieving the loss of a beloved pet dog, building an ofrenda for De de los Muertos as a means of holding onto and honoring their memories. One of the details in the illustrations that I especially like is that all the framed photos of beloved pets show their subjects reaching out beyond the frames, reminding us all that in remembering we keep them with us.
They Lead: the wolf pack
It is both beautiful and informative. It can be read on two levels: large font provides only a single sentence, or a few, per page, written in almost a poetical tone; a smaller font provides more details for curious readers. The focus of the book is on how the pack works together, with different roles for each member, and it’s written in a cyclical manner, beginning with a mated pair getting ready for pups, and continuing through until grown wolves are ready to set out on their own to begin a pack of their own. It does a good job of describing the dangers the wolves face along the way, without getting overly gruesome. The soft illustrations pay tribute to these beautiful animals. It touches the heart even while informing the brain.
Merry Christmas, Strega Nona
If you’ve got the original Strega Nona in your library, this makes a fine Christmas sequel, that fans of the original will enjoy. Without first knowing Strega Nona and Big Anthony from their first story, I’m not sure readers who pick this one up first will really connect them, as the character development pretty much assumes you already know them and will understand Big Anthony’s repeated urging of Strega Nona to just use her magic to accomplish the chores to prepare for Christmas. In the end, Big Anthony, known for his laziness/foolishness, proves the hero this time, as he arranges a Christmas surprise for Strega Nona.
The Littlest Weaver
The illustrations a soft and pretty, offering an inviting, if romanticized image of old-time live in the Appalachian mountains. The story tells of a young girl and her pa who live alone in the mountains, weaving story rugs that they take to town on market days to sell. It’s suggested that the reason Laurel makes such beautiful rugs is by they guidance of “her mama’s angel hands.” When a gloomy new neighbor moves to town with a look of loss in his eyes, Laurel recognizes it and she and her father set out to try to welcome him with their rugs but they are rebuffed. Eventually they created a design into which they poured their own tears, which spoke to the man. The gift of it seemed to help move him through his grief, and in the end he accompanies Laurel and her pa on their next visit to town.
Angelina and Henry
Fans of the other Angelina Ballerina books will enjoy this one, and will be drawn to the familiar characters and illustrations, but in looking for some trait on which to recommend it for it’s own sake, I’m coming up a bit blank. It’s not a bad little story. I just can’t think of anything that makes it stand out as a must-have. It tells of Angelina and Henry off on a camping adventure with Uncle Louie. It’s a longer hike than Angelina would’ve liked, and then they still need to pitch their tents and gather firewood before they can have their campfire, but when they’re sent off to gather wood, Angelina and Henry get distracted playing until they are lost and there’s a storm, and eventually Uncle Louie comes to find them and they get back to camp and have a campfire (no explanation for where the wood came from) and dinner and all is well.
The Not-So-Brave Little Lion
The illustrations are cute and sweet and will draw young readers in. The rhyming text reads smoothly and tells the story of a young lion too full of various anxieties to run and play with the big lions who are rougher and tougher. Instead he hangs out with friend and watch the big lions in hopes that someday they’ll grow up and be ready to join in. When little Bird hops to the top of a tree, and calls out in fear because she’s too afraid to jump since she doesn’t know how to fly, the big lions try to help, but they’re too big to climb the tree. In putting concern for his friend ahead of his own fears, Little Lion finds his brave and climbs up to rescue his friend. In finding his brave, he inspires little bird to be brave too, finally stretching her wings to fly. I like the message of finding one’s brave by putting the needs of others first, and I think it’s delivered effectively without being preachy. The cute pictures simply need to be shared with readers young enough not to know much about actual lions, like that manes are only on adult male lions, and that adult male lions don’t hang out together, but are either solitary or surrounded by a pride of females and young (maneless) cubs.
Babo: a tale of Armenian rug-washing day
We talk about books being both mirrors to reflect our own experiences, as well as windows to show us a world beyond our own experiences. This book has the potential to serve as both for many children. On the one hand, it offers a glimpse of Armenian language and traditions to students who may not be familiar with this culture (or a mirror to those who come from this background). As a story about a young girl celebrating family run-washing day as her favorite day of the year, it simultaneously gives readers the opportunity to reflect on their own family chores that can be turned into fun. I really like when a book serves as both window and mirror, because it helps young readers find connection with those that may at first seem different and unfamiliar. The world needs us all to be able to find more connection.
Lamborghini Huracan
This review applies to all of Bellwether’s Epic Cool Cars series. I like this series. It’s a solid choice for any library with patrons with limited reading ability and an interest in high-end sports cars. They provide a solid amount of information in a predictable format, with a lot of supports for those who may struggle with reading: the photos and diagrams support the text; vocabulary words from the glossary are highlighted in green; glossary definitions are clear and specific to the context. The topic will be of interest to a lot of readers. Even as someone not particularly interested in sports cars, I can declare I found them interesting and informative. The Diamondback binding is sturdy enough to stand up to extensive library wear. The graphics and design add appeal to the target audience without distracting from the content. My only criticism is directed at the marketing blurb in the front of each book opposite the the Table of Contents: in proclaiming in advance that Epic books “burst with intense action, high-speed heroics, and shadows of the unknown,” they rather over-sell themselves unnecessarily. I didn’t notice much in the way of heroics or action or shadows of the unknown, but I did find a lot of solid and interesting information.