Overdrive, by Dawn Ius, deals with the importance of family and the effects of loss, while taking the reader on a wild ride through the Las Vegas underworld of auto theft.  Jules is “The Ghost,” a seventeen-year-old lost in the Foster Care System.  She boosts cars to sell to make extra money to help give her little sister Ems a better life.  The Ghost lets her looser boyfriend talk her into a jacking that doesn’t feel quite right and it lands her in police custody.  The only way she can stay out of jail and not be separated from Ems is to accept the offer of a mysterious benefactor, Roger, and join three other teens at his palatial home as his “family.”  The situation in which Jules finds herself is a bit fantastic, but the characters are believable.  The language, while rough, fits the situation and the characters.  It is a good romance story, and the romance is not restricted to person to person.  There is also the romance between people and cars, people and thrills, and people and their memories.  The story is well written and fast paced.  It deals sensitively with loss and how different people cope in different ways.  Overdrive features a blistering pace, numerous clever plot twists, characters that surprise with unexpected behaviors, muscle cars to boost, and a surprise ending.  Recommended.

Part history lesson, part biography, part social commentary, part of our lives — Saturday Night Live is an institution in American television history and author Arie Kaplan opens the doors of the who, when and what this sketch comedy show has done for American culture in the past 40+ years.  After an opening chapter that chronicles sketches/characters decade by decade, Kaplan delves into the best chapter of the book, “Diversity…’Yeah, that’s the ticket!'” to shed light on the lack of diversity in the faces and roles on SNL.  While there were women and black men had roles in the show from the beginning, they weren’t leading roles.  Eddie Murphy broke out in the early 1980’s but other black male comics on the show weren’t given prominent sketches. 2 black female comics had one season each in the 80’s.  The 90’s witnessed minimal improvement with one black female cast member lasting 6 seasons.  Even Tina Fey didn’t become the 1st female head writer for the show until 1999, after nearly 25 years in production, though only her 3rd season on the show.  But where are the Asian-Americans, Arab-Americans, Hispanic-Americans and Native Americans?  Saturday Night Live has more representing to do “fu-shur”.  A 3rd chapter about SNL’s foci on politics throughout its time on the air makes the contention that SNL swings popular opinions, using Sarah Palin’s Vice-Presidential candidacy as the prime example.  The 4th chapter nestles back into noting the most memorable comedians and what they went on to accomplish after SNL.  In addition to this accessible look into the life of Saturday Night Life, the physical presence of the book is also “Live” so to speak.  Well chosen, full-color pictures pop on the high quality, glossy paper.  The author also added a “Catch Phrase Quiz as well as other resource lists that lend to this text’s appeal for young adults.  Twenty-First Century Books did an A+ job for this 7-12 grade non-fiction title.  Highly recommended.

Sadie Bell is going into a wonderful summer where she gets to take a photography class in the mornings using a camera her father gave her as a gift — a father she has set up on a pedestal though she barely knows him because he lives in California and she lives in New York.  Sadie’s mother’s down to earth, yoga filled lifestyle seems to have kept Sadie grounded but this photography class will push Sadie in directions she didn’t see coming through her traditional viewfinder.  New friends will challenge the relationship with her best friend.  Boy drama will muddy the waters of Sadie’s usually smooth flowing river.  And the father figure Sadie longs to have will influence her in ways she hadn’t anticipated.  Juliana Romano does a fine job keeping Sadie multi-dimensional, surprising the reader with some choices that keeps Sadie as an authentic, somewhat angst filled teen trying to navigate the “streets” of New York city.  This reader likes how secondary layered personalities of characters come out onto the playground of the characters’ lives.  Recommended.