Bless the Blood: A Cancer Memoir, written by Walela Nehanda, is an eye-widening description of battling cancer written in verse. Nehanda captivates the true and ugly reality of their cancer journey while facing issues of racism, relationships, and representation. Each poetic page remained transparent and raw with emotion. Some readers may find that certain shared aspects of the writer’s journey were more descriptive than others, or that it would feel as though the reader is jumping through the timeline.  On the other hand, it may also be interpreted as to-the-point and purposeful for their memoir, as they’ve been deemed significant to share in that manner. Walela Nehanda’s living memoir welcomes the readers with its poetic nature, filled with honest, vulgar, and captivating language that reminds each reader about the fragility of life. Highly recommended.

Playing for Keeps, written by Jennifer Dugan, is a queer romantic story that follows two individuals, Ivy and June, both of which are thoroughly involved with baseball. June is a pitcher. Ivy is an umpire. What could go wrong? Readers will witness their relationship blossom through easy and hard times while trying to accede to the expectations of those around them. With chapters alternating between the characters sharing their internal and external conflicts, each girl will try to build their secret relationship because being out could bring assumptions of bias to their sport. The plot is driven by a large amount of conversational dialogue, however, a lot of readers will find this to be captivating and dramatic. Playing for Keeps was a great fictional read with the anticipation of “firsts” in a relationship and an overall heartfelt storyline, making it recommended for young adults. 

The 99 Boyfriends of Micah Summers, written by Adam Sass, was a fun and very witty queer romantic story that was fully engaging and page-turning. The story holds an authentic voice as it follows a young man lives vicarously through his Instagram account as he builds up the confidence to ask his new crush out for a date, only for it to unveil difficult emotions and untimely situations for this art-inspired main character. The story was humorous, climatic, and paced very well from start to finish. Readers can appreciate the building tension as teenagers fight inner emotions wrapped around fear of loss and fear of true love. The 99 Boyfriends of Micah Summers can be recommended for young adult readers who like light-hearted romances. 

Most human beings experience insecurity daily. Even if you are confident in yourself and your tribe, insecurity creeps in. So it is not surprising that some couples stay together just to have that security blanket to wrap in –even if the people are no longer attracted to one another. This is one facet of the gem that is The No-Girlfriend Rule. Hollis and her boyfriend Chris have been together since middle school. They are totally comfortable around each other, though physical attraction does not seem important. While Hollis has hung with Chris and his friends during their dice-rolling game, despite not being allowed to play because of the “No-Girlfriend Rule”, she is beginning to feel withdrawn from him. If she could learn the game by playing with another group, perhaps her insecurity would subside. Making the biggest and scariest move of her life, Hollis joins another group and she quickly finds a tribe of people who are eclectic and accepting of all that is Hollis Beckwith. This story shines with brilliance because of its tender coming-of-sexuality scenes, body-acceptance pride, and realistic portrayal of a long-time relationship morphing before the main character’s eyes. The best new friends emerge during the game because the role-playing “takes all the same problems we face in life — all the things about the world or ourselves that keep us up at night — and puts them in our hands… it’s safe to hold them for a while. Work them over, spend some time with them.” Those readers who have played D&D or other role-playing games will appreciate the creative re-enactment of scenes, weapons, and characters through pages and pages of text. Still, others will appreciate the authentic representation of high school life for one plus-size girl who is discovering herself amid the crushing tension of change and learning to live for the insecurity it brings. This debut novel by Christen Randall is worthy for all school library shelves.

Enlightenment is Sachi Ediriweera’s passion project — a vision of Prince Siddartha’s life as Ediriweera’s heart and mind piece together his lessons in the faith. First, the artwork is phenomenal. The calming watery blue and earthy tan color choices keep the tone calm and grounded, reflecting the subject matter well. Siddartha’s anguish in discovering what is necessary to “search for life’s truths”, and contemplating the necessities of life while struggling with human bodies and minds, is illustrated in facial expressions and other imagery just as powerfully as in the word choices of the author. “Desire and suffering” feed each other, but they are not the focus. Teens who ask powerful questions about the “why” of this life we live will enjoy watching Ediriweera’s vision of Siddartha bloom into the Gautama Buddha. Character development sketches at the very end are a bonus look into Ediriweera’s technical skill as an artist. It is a recommended fictionalization of what might have been back in 500 BC.

Cerulean, erroneously called Sara by the English teacher Cerulean hates, is struggling with their place in the confines of high school. While they know they are smart and have strong friendships, including a doting partner, Cerulean doesn’t feel as successful because so much of what is success in young adulthood involves how well one does in school. The story told in verse jumps between present and past experiences as well as between the voices of those in Cerulean’s sphere of influence. After an explosion that nearly kills their father, Cerulean must escape, even if it means leaving behind everyone who loves and has been influenced by their spirit. Cerulean is a character you cheer for, and they will find their happiness just around the next page. When Curulean purposefully disappears, some readers could praise the character for finally putting themself first, walking away from a situation they had little control over to forge a new path. Other readers will be frustrated that they left behind so many people who love them. But just like the sourdough starter found in the very back of a forgotten refrigerator of moldy items, Cerulean is still alive, out there somewhere, for her younger sister to find.

The graphic novel Prince in Comics by Tony Lourenco is an odd mix. It is part of a publishing series about worthy topics that seeks to meld graphic novels, comics, and textbook prose/articles and in doing so results in an unsatisfying reading experience. The work is a distant though detailed act of storytelling that misses the visual vibrancy of a graphic novel and defeats the intent of the genre by relying deeply on long text. 

The book takes a painstakingly (and sometimes painfully) thorough tour of the commercial life of the artist once known as Prince. The detail is perplexing as it is a tedious slog filled with minor characters in Prince’s life who enter and quickly disappear. They discuss record deals or band deals but they become a blur and it is difficult to dissect just why their inclusion adds import to the story of Prince’s life. 

Prince is a worthy topic to explore. He led an interesting life and was an important artist. But that can be difficult to take away from this work. The book is cluttered with boring details and hampered by odd style choices. 

One value of a graphic novel is its visual vibrancy. But this work has contributions from many artists resulting in confusing visual inconsistencies. Characters drawn by different artists are difficult to recognize as the same character. Changes in visual style can be jarring and take the reader out of the story. 

Another value of the genre is to hear directly from characters. But this work relies so much on text over dialogue that the immediacy of the first person is lost. Even worse the comic format is interrupted by large sections of block text. Those who came looking for a graphic novel are confronted with pages of textbook-style paragraphs defeating the joy and purpose of the genre. 

Prince as a person never really comes through. The text and other characters talk a lot about him and his music but he speaks rarely himself. He seems more of a silhouette than an artist or a person. 

Unfortunately because of a reliance on contradictory design, style, and genre decisions the work fails in its purported aim – to bring Prince alive and show the meaning of his artistry, something he never failed to do.  – David Johnston, retired English teacher.

Book Review of “Writing in Color”

Dreams of becoming a writer? Want to tell the real story of who you are, to share a fantasy world of your creation, or to write a family saga in your native language? Writing in Color is a collection of essays from 14 writers of color who have made that dream become a reality. Each entry is in the voice of a successful writer who has ‘made it’ and the consequences of that accomplishment. The book explores the craft of writing and publishing. The style of writing for each author is very unique. With hopeful encouragement, each author shares their experience of anxiety, nervousness, elation, and confusion. Reading the essays is like having a friend holding your hand to inspire and assist in making a dream come true. Writing in Color is especially aimed at high school teenagers in the choice of writers presented. A valuable resource to propel the reticent writer and it would be an excellent gift!

You: The Story. The Writer’s Guide to Craft Through Memory is a how-to guide for aspiring writers. The book draws from the author’s personal experiences as a writer and the methods they have used to add detail and depth to their characters, setting, and dialogue– specifically using personal memories to create the details and emotion that go with storytelling. The book covers eleven elements essential to storytelling such as plot, character development, developing a writer’s voice, perspective, setting, dialogue, how to do research for a story, surviving the revision process, and how to find the courage to tell your story. The author uses personal experiences to illustrate each element of the writing process. Chapters end with a recap of ideas and concepts presented in the chapter for easy reference, writing prompts to help initiate each part of the process, and a unique “Stories to Uncover and Discover” page where a little research about the person/group/thing could open a fountain of ideas to write about. Since Sepetys is famous for her historical fiction novels, it is so intriguing to see how she incorporates her passion for research into sparking creative opportunities for writers this way.

The book is easy to read. The chapters are not too long or short but provide the right amount of information without weighing the reader down with too many details. The book flows easily from concept to concept and provides sufficient detail to help new, reluctant writers understand the process, get started, and survive the writing and revision process. This is an excellent book for all libraries, and to give as gifts in this graduation season. It is highly recommended.

This review was written by William Grantham and edited by Kristi Bonds

The graphic novel Nina Simone in Comics, by Sophie Adriansen, dramatically tells the life story of the brilliant musician and political activist, Nina Simone. Using music as a “weapon” to express the pain and emotion of being black in America in the 1950’s and 60’s, Simone creates a unique life of meaning and substance. Her initial dream of being a concert pianist was thwarted due to the color of her skin. Forced to support herself, she begins performing in nightclubs and town halls where her amazing talent leads to fame, record contracts, and international recognition. Simone’s long life is a roller coaster of success vs failure, wealth vs poverty, romance vs abuse, acclaim vs obscurity. Her natural abilities as a musician, a singer, and a songwriter are motivated by her fierce determination to use her talents for social justice. She writes the anthem: ‘Young, Black and Gifted’. Her lifelong resilience is admirable. The graphic illustrations portray the vibrant, emotional aspects of jazz music and social unrest, and the text inserts clarify the historical timeline of those tumultuous times. This book would appeal to both middle school and high school students.